As friends well know, I promininently feature Massimo’s Vignelli beautiful work of Swiss-inspired typographic art, the Stendig Calendar, on the wall of my bedroom. In sharp black and white Helvetica and measuring three feet by four feet, it’s impressive.

Still, I’m pretty wooed by this new Pentagram calendar showcasing (I presume twelve) fonts by Matthew Carter, who I can then brag about meeting. It’s smaller, though, and I’ve planned a wall of my room around the Stendig. What do you think?